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The fall of satin takes over the whole silhouette here: a maxi length that glides, a generous cut that follows without clinging. Polyester and satin meet in a fabric that keeps its luster without demanding attention, while the long sleeves narrow at the cuffs with a clean line of lace. It is a dressing gown built to be felt at the edge of the day, when comfort is also a question of texture and length.
What defines this piece is amplitude. The cut is explicitly loose, so the body moves without the garment pulling or pressing. The maxi length adds a vertical sweep that changes the way the fabric behaves: it catches the air slightly, then settles back. The satin keeps that movement silky rather than brisk, giving the whole piece a controlled fluidity.
Long sleeves finish in lace at the cuffs, a precise detail that anchors the softness of the satin. The lace does not overwork the piece; it simply marks the point where the sleeve ends. For a shorter, more tailored interpretation of a similar mood, the satin dressing gown cut just above the knee with long sleeves trimmed with lace offers a different proportion. And if you are drawn to a kimono line rather than a maxi sweep, the kimono-style dressing gown in microfibre satin gives the same loose long-sleeved comfort in a more structured silhouette.
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It is made from polyester and satin, which gives the fabric its smooth, silky feel and light luster.
This dressing gown comes in Red and Pink, both offered with the same lace trim on the long sleeves.
The fit is described as loose, which keeps the silhouette relaxed and gives the body room without feeling oversized.
The lace is placed at the cuffs of the long, loose-fitting sleeves, adding a delicate finish to the satin.
Data sheet
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