Lookbook A/W 26-27

Autumn/Winter 26-27

The cold-season edit, read through its fabrics

The Autumn/Winter 26-27 page gathers the pieces that answer a simple need: staying soft and comfortable when the air turns cool. Rather than one fixed look, the range moves between micromodal, viscose, satin and lace, each with a distinct weight and hand. A long nightdress in micromodal and lace brings a close, fluid cover, while a long viscose nightdress with a red floral print offers a lighter, airier drape. The choice between them is less about good or better than about the warmth and movement you want against the skin.

Micromodal, viscose and the question of drape

Micromodal appears repeatedly in this edit, often paired with lace at the edges. It is a fibre chosen for its softness and its ability to hold a clean line without stiffness. You will find it in pyjamas with a short-sleeve top, in T-shirt-style nightdresses, and in negligees with thin cross-back straps. Viscose, by comparison, has a slightly cooler touch and a fluid fall — the blue-and-white print pieces and the red floral nightdress use it to give the garment more movement. Satin appears in a long white-lace nightdress, adding a smooth, glossy surface for those evenings when a little more sheen feels right.

Lace as a structural accent, not an afterthought

Across the range, lace is used at the cuffs, necklines and straps. It is a recurring signature of the collection, but its role changes from piece to piece. On a short dressing gown in micromodal, it finishes the cuffs with a clean, feminine line. On a tulle negligee, it becomes the main event — a floaty, see-through layer edged in white. That range, from discreet trim to full transparency, is what makes the page worth reading slowly.

Choosing between cover and lightness

The season's pieces fall into two broad groups. The first covers: long nightdresses, short dressing gowns, pyjama sets with tops and shorts. The second reveals: negligees in tulle or viscose, with thin straps and lace. The first group suits longer evenings and cooler rooms; the second works for warmer interiors or for those who simply prefer less fabric. Neither is tied to a single body type or mood. What matters is the weight of the cloth and where the lace falls.

The Autumn/Winter 26-27 page can be approached as a small wardrobe rather than a single purchase. A short dressing gown layers over a nightdress; a pyjama set breaks into separates; a negligee works on its own or under a robe. The fabrics — micromodal, viscose, satin, tulle — are chosen to sit well together, so building a set from this one page feels coherent without being uniform.

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