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Item in stock: dispatch within 24 hours
Item on order: shipping within 8/10 days
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Return within 14 days
The cut here is deliberate, stopping just above the knee to keep the line light while the satin glides with a cool, fluid hand. It is not a piece that asks to be layered over anything complicated — it slips on after the bath or before the first coffee with equal ease, the back of the neck resting against softness rather than weight. Long sleeves drop from the shoulder, each cuff traced with a fine lace edging that catches the light when the arm moves. The fit is close but never restrictive, a level of precision that gives the whole piece its particular refinement.
There is a clarity to the way satin behaves on this scale: it holds a sheen without being fragile, moves with the body rather than around it. The presence of lace at the cuffs is not decorative noise — it offers a delicate point of punctuation at the end of each sleeve, drawing the eye outward. In black, the effect is a quiet drama; in pink, the same lines take on a softer, almost powdery warmth. The fabric itself encourages the hand to linger, which is exactly what a piece worn next to the skin should do.
Among the other satin pieces in the collection, the dressing gown with flared sleeves offers a different volume through the arm, while the floral lace version brings pattern into the conversation. For something closer in spirit, the three-quarter-sleeve cut maintains the same hemline with a shorter arm. This version keeps the line of the long sleeve intact, letting the lace at the cuff do the work.
Free delivery to the EU and secure checkout.
The cut sits just above the knee, keeping the line light and easy to move in.
Each long sleeve is trimmed with a delicate lace edging at the cuff.
This dressing gown comes in black and pink.
The cut is fitted, following the body without being restrictive.
The dressing gown is made from satin, chosen for its cool, fluid drape and soft sheen.
Data sheet
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